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The Canada Directory, 1851: Containing the Names of the Professional and Business Men of Every Description, in the Cities, Towns and Principal Villages of Canada (Classic Reprint) read online

  • The Canada Directory, 1851: Containing the Names of the Professional and Business Men of Every Description, in the Cities, Towns and Principal Villages of Canada (Classic Reprint) free read online



Section from The Canada Yellow pages, 1851: Containing the Names of the Artist and House Men of Every Specification, in the Cities, Municipalities and Principal Hamlets of Canada When the Yellow pages was projected, it was intended that Hamlets having a population of less than from four to five hundred, should not be included in its pages, and it was supposed that returns from two hundred and quinquagenarian to three hundred points, at most, would be given. It will be observed that this verdict has not been adhered to, as it was found that many points having a less population than that designated, were growing so rapidly, that previous to another reprint of the work being issued, they would probably exceed the intended edges, and the consequence of this increase of the original treatment is, that returns from over five hundred and quinquagenarian different parts are embodied in the present volume. Some of the mediaries employed in receiving commissions, inadvertently received want ads for infusion, which, from their nature, were deemed inappropriate, and consequently do not appear. Other want ads received, were ordered to appear on certain designa ted pages, and these also are declined, as the treatment of the Yellow pages is an alphabetical arrangement, either by names or businesses, which is the only fair and equal particular for all concerned. A few also sent want ads, the matter of which so greatly exceeded the limited space which was ordered, that no alternative but rejecting them altogether seemed possi ble. About the Newspaper Forgotten Books publishes hundreds of millenaries of rare and classic books. Find more at www. forgottenbooks. com This follow example is a copy of an important historical work. Forgotten Books uses union-of-the-art technology to digitally reconstruct the work, preserving the original composition in the time repairing defects present in the aged follow example. In rare cases, an fallibility in the original, such as a blemish or missing beep, may be replicated in our reprint. We do, however, repair the vast majority of defects successfully, any defects that remain are intentionally left to preserve the union of such historical works.

The Canada Directory, 1851: Containing the Names of the Professional and Business Men of Every Description, in the Cities, Towns and Principal Villages of Canada (Classic Reprint) read online or download

  • Author:
  • Publisher: Forgotten Books
  • Publication date:
  • Cover: Paperback
  • Language: English
  • ISBN-10: 0243097964
  • ISBN-13: 978-0243097968
  • Dimensions: 6 x 1.4 x 9 inches
  • Weight: 2 pounds
  • Hardcover:
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  • Price: $20.57

Book reviews

The Canada Directory, 1851: Containing the Names of the Professional and Business Men of Every Description, in the Cities, Towns and Principal Villages of Canada (Classic Reprint)

hassan-naqvi

The Enlargement of Bruno Littlemore was published back in April, and caused nary a splash as it hit an unsuspecting public. I've seen very few reviews and not many huddle directs concerning this story. It's not been put onto any longlists or shortlists that I'm aware of, and Benjamin Husky has not been hold reception for as one of the bravest debut authors of recent times. In my opinion, The Enlargement of Bruno Littlemore should have exploded into people's consciousness. It should have been reviewed by people who look up to both contemporary/literary works and those who appreciate a more speculative bent to their fish story. I can't even mark to a particular sense why it didn't perform as well as it should have. Possibly because this is a large brickwork of a debut story, and people these sidereal days don't like to put out ready assets on an unrecognised name. Possibly because the text is so bizarre and, at times, outright taboo. For me, The Enlargement of Bruno Littlemore was virtually as challenging a utter as comes along. It challenged my perceptions of what it means to be human. It challenged my ideas of body of knowledge versus sculpting. It shocked me into chuckle at times. At other directs I was curling my border in turn off and book-learning the story through eyes blinkered by social scales. This is a bolshy, brazen story that does not shy away from that final skip into offensiveness and darkness. Bruno is the very definition of an unreliable writer. He is telling his story to "Gwen", who remains off-screen for the extent of the folk tale. Everything we find out about Bruno himself and the life he leads is coloured by his own neurosis, arrogance and self-loathing. He is frustrating, witty, pitying, rambling and often incredibly difficult to utter about. Apart from the fact that you spend much of the story suspending mistrust about the very description of Bruno and his relationship with Lydia, sometimes Bruno can also be pretty bloody unlikeable. But he is a magnetic writer, and I remained mesmerised by his story almost all the tone through. I say "almost", because sometimes The Enlargement of Bruno Littlemore descends into a rambling mess. Sometimes it feels pretentious. Sometimes the terminology was wilfully difficult to procedure - beyond purple prose. When it brings in the heights of its prose, though, it is difficult to imagine a better story. It defies assumption that this is a debut story. I admired particularly the level of sense and huddle present in The Enlargement of... such as the following passage: "I hope that the future's intellectuals of drama (if indeed such people will exist in the future) will recognise that I, Bruno Littlemore, was the first actor to realise that the portrayal of Caliban should be played through an evolutionary perspective. While I understand The Tempest was first performed in 1612, a good two and a half centuries before the public relation of Charles Darwin, on closely studying the text, I find it hard to believe that Shakespeare was not in some tone anachronistically informed and even influenced by The Origin of the Species. Time perhaps is not as uninterestingly linear as we imagine, Gwen. Shakespeare was at the very least a clear premonition of his future fellow Englishman. I even go so far as to imagine that the transmit in The Tempest is the Beagle, and Prospero's islet, Galapagos." When it was applied in the following passage, it made me snort with chuckle: "We watched the cartoons that think eternal pursuit as their question: both the amorous pursuit of fiancé and beloved [...] as well as the violent pursuit of predator and victim: Hound and Road Entrant, Sylvester and Tweety, Grimalkin and Jordan...all that mythic pursuit! - the endless fluctuation of the chase, the magnetic push-and-pull of onslaught and dike, of repulsion and liking!...perhaps the true frame of mind of myth - of Make like and Narcissus, of Achilles and Hector - survives for us, in its pure application, only in cartoons." So, how to conclude my rationalizations on this story? Probably to say that The Enlargement of Bruno Littlemore is more than good enough for you to spend legal tender on. Probably also to say that if you were to buy only one unique this advanced age, you should make it this. It is dark, brave, satirical and surprisingly tender and moving. The story of Bruno Littlemore demands patience and debate, but it is worth every minute.

2020-01-21 14:12

lucas_ostafin

Awful. Dull enactment and sculpting historically incorrect. People ate this up like they didn't realize it was a novel. I know anybody loves a scandal, i do to, but . . .they PRECIOUS it!

2019-12-20 08:35

holliematney

EL&IC is all the innocence and creativity that make true elegance. While the design was sometimes difficult to follow, I'm pretty sure the author wanted it that way. I felt like he was saying, "Hey, mug how abstract I am... Bet you can't follow this... associate I'm just that cool and off-the-wall." But I was already in put on pedestal with Oskar, the main character [aka the most lovable nine-year-old ever:], so I stuck with it and was very glad that I did. The fiction zippers together quite nicely in the end. Such a lovely book.

2019-12-05 03:31

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